Tuesday, 29 April 2014
LOOK BOOK - INCOGNITO ( Graduation Collection)
Silentstoryteller_art - Dheeraj Kumar - refers to various forms of artistic expression that communicate stories without words, including narrative art, mime, sculpture, visual art, and photography. It can also be a specific reference to a person or a style, such as artists who focus on storytelling through non-verbal cues or visual narratives that tell a tale. My art invites viewers to inhabit these impossible forms—to feel the heaviness of stone, the lift of wings, the shimmer of scales, the softness of petals—and to find their own longing reflected in those quiet, ever-changing shapes. Through this practice, I offer not answers but connections: between reality and imagination, between the seen and the unseen, between the self and its dreaming shadow. My work is a testament to the silent stories we all carry—stories of becoming, dissolving, and blooming again.
I CHOOSED TO ESCAPE
CONCEPT- Incognito ( GRADUATION COLLECTION )
the WANTED list
i realized, there was a HOLE
the HANGING pocket
the girl who WORE it
the BACK seems to be the FRONT
THE STANDING LADY
the BEST WAIST
I FELT it to be HALF MOON
the RAISED RAYS
i made her STAND ALONE
THE BIN BAG
THE ROAD, WHICH GOES TILL NECK
THE HANGING BACK
THE MORPHED GOWN
and she kept waiting
SHE COULDNT REALISED IT
THE burnt dreams
WHY I FELT IT TO BE DIFFERENT
the only sleeve
i saw a GHOST
CULT
the front trail
THE BOYFRIENDS HAT
THE LETTER, WHICH HE THREW
the silence in the plackets
the cutting edge
THE IDEAL HANDS
I saw his BACK view
THE IDEA, IS TO CREATE A LANGUAGE, where CLOTHING is no more just a piece of cloth.
ITS AN IDEA, ITS A LANGUAGE,
A STATEMENT.
Silentstoryteller_art - Dheeraj Kumar - refers to various forms of artistic expression that communicate stories without words, including narrative art, mime, sculpture, visual art, and photography. It can also be a specific reference to a person or a style, such as artists who focus on storytelling through non-verbal cues or visual narratives that tell a tale. My art invites viewers to inhabit these impossible forms—to feel the heaviness of stone, the lift of wings, the shimmer of scales, the softness of petals—and to find their own longing reflected in those quiet, ever-changing shapes. Through this practice, I offer not answers but connections: between reality and imagination, between the seen and the unseen, between the self and its dreaming shadow. My work is a testament to the silent stories we all carry—stories of becoming, dissolving, and blooming again.
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